The imperceptible Women of the Great Depression

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During the Great Depression, women made up 25% of the work force, but their jobs were more unstable, temporary or seasonal then men, and the unemployment rate was much greater. There was also a decided bias and cultural view that "women didn't work" and in fact many who were employed full time often called themselves "homemakers." Neither men in the workforce, the unions, nor any field of government were ready to accept the reality of working women, and this bias caused females intense hardship while the Great Depression.

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The 1930's was particularly hard on single, divorced or widowed women, but it was harder still on women who weren't White. Women of color had to overcome both sexual and racial stereotyping. Black women in the North suffered an amazing 42.9% unemployment, while 23.2%. Of White women were without work agreeing to the 1937 census. In the South, both Black and White women were equally unemployed at 26%. In contrast, the unemployment rate for Black and White men in the North (38.9%/18.1%) and South (18%/16% respectively) were also lower than female counterparts.

The financial situation in Harlem was bleak even before the Great Depression. But afterward, the emerging Black working class in the North was decimated by wholesale layoffs of Black industrial workers. To be Black and a woman alone, made keeping a job or finding someone else one nearly impossible. The racial work hierarchy supplanted Black women in waitressing or domestic work, with White women, now desperate for work, and willing to take steep wage cuts.

Survival Entrepreneurs
At the start of the Depression, while one study found that homeless women were most likely facility and aid workers, domestics, garment workers, waitresses and beauticians; someone else recommend that the charm industry was a major source of wage for Black women. These women, later known as "survivalist entrepreneurs," became self-employed in response to a desperate need to find an independent means of livelihood."

Replaced by White women in more former domestic work as cooks, maids, nurses, and laundresses, even skilled and educated Black women were so hopeless, ''that they undoubtedly offered their services at the so-called 'slave markets'-street corners where Negro women congregated to await White housewives who came daily to take their pick and bid wages down'' (Boyd, 2000 citing Drake and Cayton, 1945/1962:246). Moreover, the home domestic aid was very difficult, if not impossible, to coordinate with family responsibilities, as the domestic servant was regularly on call ''around the clock'' and was field to the ''arbitrary power of private employers.''


Inn Keepers and Hairdressers
Two occupations were sought out by Black women, in order to address both the need for wage (or barter items) and their domestic responsibilities in northern cities while the Great Depression: (1) boarding house and lodging house keeping; and (2) hairdressing and charm culture.

During the "Great Migration" of 1915-1930, thousands of Blacks from the South, mostly young, singular men, streamed into Northern cities, finding for places to stay temporarily while they searched for housing and jobs. Housing these migrants created opportunities for Black working-class women,-now unemployed-to pay their rent.

According to one estimate, ''at least one-third'' of Black families in the urban North had lodgers or boarders while the Great Migration (Thomas, 1992:93, citing Henri, 1976). The need was so great, many boarders were housed, important one contemplate of northern Black families to record that ''seventy-five percent of the Negro homes have so many lodgers that they are undoubtedly hotels.''

Women were regularly at the town of these webs of family and society networks within the Black community:

"They ''undertook the greatest part of the burden'' of helping the newcomers find interim housing. Women played ''connective and leadership roles'' in northern Black communities, not only because it was considered former "woman's work," but also because taking in boarders and lodgers helped Black women concentrate housework with an informal, income-producing operation (Grossman, 1989:133). In addition, boarding and lodging house keeping was often combined with other types of self-employment. Some of the Black women who kept boarders and lodgers also earned money by manufacture artificial flowers and lamp shades at home." (Boyd, 2000)

In increasing from 1890 to 1940, ''barbers and hairdressers'' were the largest segments of the Black business population, together comprising about one third of this citizen in 1940 (Boyd, 2000 citing Oak, 1949:48).

"Blacks tended to gravitate into these occupations because "White barbers, hairdressers, and beauticians were unwilling or unable to style the hair of Blacks or to furnish the hair preparations and cosmetics used by them. Thus, Black barbers, hairdressers, and beauticians had a ''protected buyer market'' based on Whites' desires for communal length from Blacks and on the extra demands of Black consumers. Accordingly, these Black entrepreneurs were sheltered from outside competitors and could monopolize the trades of charm culture and hairdressing within their own communities.

Black women who were seeking jobs believed that one's appearance was a crucial factor in finding employment. Black self-help organizations in northern cities, such as the Urban League and the National Council of Negro Women, stressed the importance of good grooming to the newly arrived Black women from the South, advising them to have neat hair and clean nails when searching for work. Above all, the women were told avoid wearing ''head rags'' and ''dust caps'' in communal (Boyd, 2000 citing Drake and Cayton, 1945/1962:247, 301; Grossman, 1989:150-151).

These warnings were particularly relevant to those who were finding for secretarial or white-collar jobs, for Black women needed right hair and light skin to have any occasion of obtaining such positions. Despite the hard times, charm parlors and barber shops were the most numerous and viable Black-owned enterprises in Black communities (e.g., Boyd, 2000 citing Drake and Cayton, 1945/1962:450-451).

Black women entrepreneurs in the urban North also opened shop and restaurants, with modest savings ''as a means of securing a living'' (Boyd, 2000 citing Frazier, 1949:405). Called ''depression businesses,'' these marginal enterprises were often classified as proprietorships, even though they tended to control out of ''houses, basements, and old buildings'' (Boyd, 2000 citing Drake and Cayton, 1945/1962:454).

"Food shop and eating and drinking places were the most tasteless of these businesses, because, if they failed, their owners could still live off their stocks."

"Protestant Whites Only"
These businesses were a necessity for Black women, as the preference for hiring Whites climbed steeply while the Depression. In the Philadelphia communal Employment Office in 1932 & 1933, 68% of job orders for women specified "Whites Only." In New York City, Black women were forced to go to detach unemployment offices in Harlem to seek work. Black churches and church-related institutions, a former source of help to the Black community, were overwhelmed by the demand, while the 1930's. Municipal shelters, required to "accept everyone," still reported that Catholics and African American women were "particularly hard to place."

No one knows the numbers of Black women left homeless in the early thirty's, but it was no doubt substantial, and invisible to the mostly white investigators. Instead, the media chose to focus on, and publicize the plight of White, homeless, middle-class "white collar" workers, as, by 1931 and 1932, unemployment spread to this middle-class. White-collar and college-educated women, regularly accustomed "to quarterly employment and garage domicile," became the "New Poor." We don't know the homeless rates for these women, beyond an educated guess, but of all the homeless in urban centers, 10% were recommend to be women. We do know, however, that the examine for "female beds" in shelters climbed from a bit over 3,000 in 1920 to 56,808 by 1932 in one city and in another, from 1929 -1930, examine rose 270%.

"Having an Address is a Luxury Now..."
Even these beds, however, were the last stop on the path towards homelessness and were designed for "habitually destitute" women, and avoided at all cost by those who were homeless for the first time. Some whole ended up in shelters, but even more were not registered with any agency. Resources were few. crisis home relief was restricted to families with dependent children until 1934. "Having an address is a luxury just now" an unemployed college woman told a communal employee in 1932.

These newly destitute urban women were the shocked and dazed who drifted from one unemployment office to the next, resting in Grand Central or Pennsylvania station, and who rode the subway all night (the "five cent room"), or slept in the park, and who ate in penny kitchens. Slow to seek assistance, and fearful and ashamed to ask for charity, these women were often on the verge of starvation before they sought help. They were, agreeing to one report, often the "saddest and most difficult to help." These women "starved gradually in furnished rooms. They sold their furniture, their clothes, and then their bodies."

The Emancipated Woman and Gender Myths
If cultural myths were that women "didn't work," then those that did were invisible. Their political voice was mute. Gender role demanded that women remain "someone's poor relation," who returned back to the rural homestead while times of trouble, to help out colse to the home, and were given shelter. These idyllic nurturing, pre-industrial mythical family homes were large enough to adapt everyone. The new reality was much bleaker. Urban apartments, no bigger than two or three rooms, required "maiden aunts" or "single cousins" to "shift for themselves." What remained of the family was often a strained, overburdened, over-crowded household that often contained severe domestic troubles of its own.

In addition, few, other than African Americans, were with the rural roots to return to. And this assumed that a woman once emancipated and tasting past success would remain "malleable." The female role was an out-of-date myth, but was nonetheless a potent one. The "new woman" of the roaring twenties was now left without a communal face while the Great Depression. Without a home--the quintessential element of womanhood--she was, paradoxically, ignored and invisible.

"...Neighborliness has been Stretched Beyond Human Endurance."
In reality, more than half of these employed women had never married, while others were divorced, deserted, separated or claimed to be widowed. We don't know how many were lesbian women. Some had dependent parents and siblings who relied on them for support. Fewer had children who were living with extended family. Women's wages were historically low for most female professions, and allowed wee capacity for mountainous "emergency" savings, but most of these women were financially independent. In Milwaukee, for example, 60% of those seeking help had been self-supporting in 1929. In New York, this outline was 85%. Their available work was often the most vaporing and at risk. Some had been unemployed for months, while others for a year or more. With savings and assurance gone, they had tapped out their informal communal networks. One communal worker, in late 1931, testified to a Senate committee that "neighborliness has been stretched not only beyond its capacity but beyond human endurance."

Older women were often discriminated against because of their age, and their long history of living outside of former family systems. When work was available, it often specified, as did one job in Philadelphia, a examine for "white stenographers and clerks, under (age) 25."

The invisible Woman
The Great Depression's result on women, then, as it is now, was invisible to the eye. The tangible evidence of breadlines, Hoovervilles, and men selling apples on road corners, did not comprise images of urban women. Unemployment, hunger and homelessness was considered a "man's problem" and the distress and despair was measured in that way. In photographic images, and news reports, destitute urban women were overlooked or not apparent. It was considered unseemly to be a homeless woman, and they were often inexpressive from communal view, ushered in straight through back door entrances, and fed in private.

Partly, the question lay in expectations. While homelessness in men had swelled periodically while periods of economic crisis, since the depression of the 1890's onward, large numbers of homeless women "on their own" were a new phenomenon. communal officials were unprepared: Without children, they were, early on, excluded from crisis shelters. One building with a capacity of 155 beds and six cribs, lodged over 56,000 "beds" while the third year of the depression. Still, these figures do not take account the whole of women turned away, because they weren't White or Protestant.

As the Great Depression wore on, wanting only a way to make money, these women were excluded from "New Deal" work programs set up to help the unemployed. Men were seen as "breadwinners," keeping greater claim to economic resources. While outreach and charitable agencies ultimately did emerge, they were often inadequate to meet the demand.

Whereas black women had singular hard times participating in the mainstream economy while the Great Depression, they did have some occasion to find alternative employment within their own communities, because of unique migration patterns that had occurred while that period. White women, in contrast, had a keyhole opportunity, if they were young and of considerable skills, although their skin color alone offered them greater way to anything former employment was still available.

The rejection of former female roles, and the desire for emancipation, however, put these women at profound risk once the economy collapsed. In any case, singular women, with both black and white skin, fared worse and were invisible sufferers.

As we enter the Second Great Depression, who will be the new "invisible homeless" and will women, as a group, fare better this time?


References:

Abelson, E. (2003, Spring2003). Women Who Have No Men to Work for Them: Gender and Homelessness in the Great Depression, 1930-1934. Feminist Studies, 29(1), 104. Retrieved January 2, 2009, from schoraly search Premier database.

Boyd, R. (2000, December). Race, Labor market Disadvantage, and Survivalist Entrepreneurship: Black Women in the Urban North while the Great Depression. Sociological Forum, 15(4), 647-670. Retrieved January 2, 2009, from schoraly search Premier database.

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Top 10 Tv Shows of 2009 You Need to Start Watching Now


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Nyc Singles - Top 10 Tv Shows of 2009 You Need to Start Watching Now

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Note: The Shield and The Wire are both extremely recommended, but because both shows had ended in 2008, they are not included on this list (among many others).

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10. Fringe

(Fox - 2008 - Sci-Fi)

At first this show didn't stick with many of us on the must watch show list, but the unique plots lured us back and now we reconsider it a must watch. This show is about a government task force tracking down paranormal action with the help of a explore scientist, Walter Bishop (actor John Noble), who has the characteristics of Frankenstein and the brilliance of Albert Einstein rolled into one, his sarcastic son Peter Bishop (actor Joshua Jackson), and Fbi Agent Olivia Dunham (Actress Anna Torv). Also the X-Files element in this show, one of the things viewers will observation is the parent-child disagreement specifically between Walter and Peter as they try to conclude cases. Fringe is big on conspiracies and some intense twists on "fringe science". This show just stands out from the rest in its plot developments.

9. Monk

(Usa - 2002 - Dramedy)

Background: This is the creator of the website talking, Nick Shin. Call me an idiot or ridiculous and I of course deserve both, but I personally ignored this incredibly humorous show for about 6 years solely because of the title; not once did I give this show a opportunity before 2008. I concept the show was of course about a monk and the adventures inside the monastery. I figured how can a show about a monk and a monastery be remotely interesting. Bad assumption (don't judge a show by its title?) On a random weekend in 2008, I was incredibly bored, had no commitments, and had all the time in the world. Thus, my introduction to Monk. Now onto why you need to start watching too.

Monk is one of those shows where every single man in the world can relate to its main character, Adrian Monk (actor Tony Shalhoub). How? 3 words, obsessive compulsive disorder (Ocd). Your situation may not be as, to put it lightly, as severe as Monk's, but every man has some sort of Ocd either it be washing your hands in a confident way, putting on your socks/shoes a confident way, morning routine, bedtime routine, and on and on. The title character of this show works as an obsessive compulsive private detective and advisor for the San Francisco Police division homicide unit. At one point, and (fans) strict us if we're wrong, Monk's nurse/assistant pointed out 120 or so phobias. What's curious about this show is not only Monk's brilliance and concentration to information on the field as he solves the cases, but Monk's capability to deal with his numerous phobias throughout the show along with the all the time humorous therapy sessions. It is the subtleties of Monk and the characters around him that becomes a laugh out loud moment. Each chapter is a stand alone so start watching this show.

8. In Treatment

(Hbo - 2008 - Drama)

Each chapter of In medicine features therapist Dr. Paul Weston (actor Gabriel Byrne) having a session with one of five patients. The casting for this exiguous known show offers an array of characters fluctuating from teens to middle aged and singles to married couples. In medicine displays a full range of emotions with superb acting that makes you care about and believe what you are watching. One of the more unique and riveting parts of this show is the portrayal of the therapist (Paul) going to his own therapist. The character improvement and the artistic storytelling is brilliant. This show might make you uncomfortable at times and it might take a lot out of you, but what we do know is that the blend of predicted acting, storytelling, and character improvement will get you hooked; don't give up after one episode.

7. Breaking Bad

(Amc- 2008 - Dramedy)

Quite maybe the most curious show and most traditional show to watch right now, Walter White (actor Bryan Cranston - the dad from Malcolm in the Middle) quite simply is a high school chemistry teacher diagnosed with final lung cancer going entrepreneurial to raise adequate money for his family. Well, the entrepreneurial part isn't exactly what one might speculate and this is where the show becomes extremely entertaining. Walt decides to team up with a previous student, whom Walt flunked, to get into the crystal-meth business. How's that for unique writing? If you've ever felt you've been way in over your head, you will of course enjoy watching this show as Walt fast learns the dangers of competitive with rival meth dealers.

6. It's all the time Sunny In Philadelphia (Iasip)

(Fx - 2005 - Comedy)

Remember Seinfeld? The show from the 90's that every person seemed to enjoy immensely due to its random plots and often commercial resolutions. The oft-imitated formula has been mirrored throughout the years, but one show in single has nailed it on the head. Iasip is maybe the funniest show on television due to the confident lack of rules or shame. We result the lives of Mac, Charlie, Dennis, and Dee as they task and screw population over on an hourly basis. In the end, all blows up in their faces in a commercial fashion. If there was ever a show that embodies the basic drives of the human nature within all of us, this is it. Just watch it. Now.

5. Entourage

(Hbo - 2004 - Dramedy)

We know, anyone who hasn't been hiding under a rock knows about the show so we'll try to make this one short. Entourage deserves a spot on any "best of" Tv shows list. The only speculate why the "professional" critics do not contain this show is because of its target audience. There are just some out of the target demographic that do not want to watch quirky, douchebag-like, 20 (and 40?) somethings, and their adventures as a group. We know that it is extremely hard to argue that Entourage is the most well-written show or even best performed (although Jeremy Piven as Ari Gold is of course great and the speculate why you should start watching), but this show just entertains. It is mindlessly distracting and addicting.

4. Dexter

(Showtime - 2006 - Dramedy)

How many of us have a dark side? A extra side (mmmm, frites) that lays dormant within our mind and only comes out for extra occasions. If you raised your hand, then you need to watch Dexter. Dexter is a forensic blood spatter analyst by day for the Miami-Metro Police division (Mmpd) and a serial killer by night. Before you turn to a different website in disgust, you need to know that Dexter has a conscious. As a youth, Dexter show signs of a sociopath, but his adoptive father, a detective for the Mmpd, took those tendencies and taught Dexter to use them for the good of mankind, or in this case, killing population who have escaped their due punishment from the justice system. The show is in no shortage of thrills and suspense. Touching, clever, exciting, and often humorous, Dexter, is one anti-hero that every one can relate to, even if you don't want to admit it.

3. Damages

(Fx- 2007 - Drama)

Thought the show was canceled? of course many of you reading this top 10 list comprehend it's been awhile due to the writer's strike. Well, it's back and it's wonderful. With the final chapter of season 1 airing back in October 2007, the second season is (well, has been) officially back. Due to the hiatus, Damages has fallen off the radar, but this show of course deserves a "best of Tv shows" nod. Damages is a legal thriller that stars Glenn Close as the great and ruthless litigator Patty Hewes. The show revolves around Patty and her protege, Ellen Parsons (actress Rose Byrne). With so many legal thrillers on the air, it's hard to relate how and why this series stands out head and shoulders above all the others. To put it simply, superb acting, curious writing, thought-provoking, an actual story line as opposed to one story per episode, and in true sense of the word, a thriller. The story itself is intriguing, but it's the storytelling and the performances that of course make this show a must watch now. We feel like this is still not doing the show justice....let's see, you will never be bored watching this show; it is consistent from beginning to end. The folks at Fx is doing something right and every person needs to take notice.

2. Saving Me

(Fx- 2004 - Dramedy)

We all enjoyed The Sopranos. It made us feel bad and yet, so good. The greatest anti-hero, Tony Soprano, was man we hated and loved at the same time. Since it left television, where does one go to root for a likeable bad guy? The respond is Saving Me. The main character, Tommy Gavin (actor Denis Leary), is a member of the Nyfd. He is about as rough as they come and extremely respected for his displays of bravery on the field.

Whether he is sleeping around with widows of victims from 9/11 (a large theme during the show), abusing drugs and alcohol, hitting population and being a sleezeball, one can see why Tommy Gavin is not a likeable fellow....on the show. However, we in the real world find ourselves enamored with a guy that is a coin-flip away from being cool or being a turd, just like Tony Soprano.

Here is a list of similarities between The Sopranos and Saving Me

* Sopranos = New Jersey. Saving Me = New York. You can associate the two.

* Infidelity

* Drug and alcohol abuse

* Curse like sailors

* Violence towards strangers, friends and family

* Hallucinations

We are sure the list could go on, but it would distract the concentration away from this show you need to watch. Feel free to annotation if you find further similarities and we will reconsider adding it to the list. Anyway, this is a immense show that only adds to Fx's taste in great shows. Watch it.

1. Mad Men

(Amc- 2007 - Drama)

Okay, you get it, we get it, Mad Men is a great show based on the countless whole of critics and wannabe critics like ourselves. By now Mad Men (and Amc for that matter) has received the major props it deserves, but we cannot emphasize it enough. We would never have imagined the slowest potential drama on television topping our list of "must watch Tv for 20093. Where's the action, where's the humor, where's the favorable douchebag that we like to talk about, where's the [insert further analogies]. With all that said and the hype the show has been garnering since its debut, we still think Mad Men is an underrated show.

Definition of Mad Men as explained during the first chapter - "In the 1950s and 1960s, the advertising commerce was based on Madison Avenue in New York City. In fact, 'Madison Avenue' used to be slang for 'the ad industry'. Madison/ad men was contracted into "mad men" by the mad men themselves."

For those still doubting this top Tv show to watch now, maybe the very speculate you are not watching this show is because of the time frame in history in which the story takes place; we admit, it was for us. The 60s was far before any of our times at all Topped, and based on the show the 60s was racist, sexist, unhealthy (based on the whole of cigarattes the characters smoke every 5 seconds), and most importantly, a transition period. Actor Jon Hamm as the lead character, Don Draper, is great as the creative director at Sterling Cooper Advertising Agency. Don struggles to stay ahead of the changing times and the young executives at the division all the whilst production the plays in the boardroom (and bedroom). The intense performances are portrayed not only in Don's personal life, but also through the unique aspect of how population sell themselves in the ad industry. The characters are complex, sophisticated, and well developed. It's a slow curious drama, yes, and many who are impatient and simply close-minded, will not enjoy Mad Men. Getting a truly strict photo of a time when not many shows or movies are set makes this the top show you need to start watching for 2009.

There you have it, our list of the Top 10 Tv Shows of 2009 You Need To Start Watching Now. We would love to hear your thoughts so feel free to annotation on the list. Ridicule us, praise us, hate us, love us for our list. Got topics/categories you'd like topped? Give us a shout through the comments or taste us.

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